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Sam & Dave - Wikipedia. Sam & Dave were an American soul and R& B duo who performed together from 1. The tenor (higher) voice was Sam Moore (born 1. Dave Prater (1. 93.

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Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award- winning artists. According to the Rock & Roll Hall of Fame, Sam & Dave were the most successful soul duo and brought the sounds of the black gospel church to pop music with their call- and- response records. Recorded primarily at Stax Records in Memphis, Tennessee, from 1. Soul Man," "Hold On, I'm Comin'," "You Don't Know Like I Know," "I Thank You," "When Something is Wrong with My Baby," "Wrap It Up," and many other Southern Soul classics. Except for Aretha Franklin, no soul act during Sam & Dave's Stax years (1. R& B chart success, including 1. LPs.[1] Their crossover charts appeal (1.

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Soul Man" was one of the first songs by a black group to top the pop charts using the word "soul," helping define the genre. Soul Man" was a number one Pop Hit (Cashbox: November 1. Grammy Hall of Fame, the Rock & Roll Hall of Fame, Rolling Stone magazine, and RIAA Songs of the Century.

Soul Man" was featured as the soundtrack and title for a 1. Soul Men was a 2. Nicknamed "Double Dynamite," "The Sultans of Sweat," and "The Dynamic Duo" for their gritty, gospel- infused performances, Sam & Dave are considered one of the greatest live acts of the 1. Many subsequent musicians have named them as an influence, including Bruce Springsteen, Al Green, Tom Petty, Phil Collins, Michael Jackson, Elvis Costello, The Jam, Teddy Pendergrass, Billy Joel and Steve Winwood. The Blues Brothers, who helped create a resurgence of popularity for soul, R& B, and blues in the 1. Sam & Dave – their biggest hit was a cover of "Soul Man," and their act and stage show contained many homages to the duo. Early years[edit]Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church.

Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1. Sam recorded "Nitey- Nite"/"Caveman Rock" in 1. The Majestics, and later sang with the gospel groups The Gales and The Mellonaires.

Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles,[2] and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1. Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1. Dave.[3] They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel- inspired call- and- response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records. After two singles in early 1.

Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 4. Watch The Craigslist Killer Online The Craigslist Killer Full Movie Online. Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R& B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.

In summer 1. 96. 4, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic.[4] Wexler asked Memphis, Tennessee- based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs- sounding voice, the preacher promising hellfire."Stax years (1. Arrival at Stax and early Stax singles[edit]When Sam & Dave arrived at Stax, they worked with producer & engineer Jim Stewart and songwriters including the MGs' guitarist Steve Cropper, who wrote or co- wrote four of their first eight recordings. The duo then moved to relative newcomer writers and producers Isaac Hayes and David Porter.

Hayes and Porter wrote and produced the duo's biggest hits (although they did not receive production credits until the Soul Men LP and singles). According to Moore and Prater, they also greatly influenced the duo's singing style,[5] and shifted their recording style from the style of their Roulette records to a more live, more energetic gospel, call- and- response feel and beat driven soul style the group is known for today. Sam & Dave's Stax records also benefited from the musicians and engineering at Stax. The Stax house band, Booker T.

M. G.'s, and the Stax horn section, the Mar- Keys, were world- class musicians who co- wrote (often without credit) and contributed to recordings—the same musicians who recorded with Otis Redding, Wilson Pickett, Carla Thomas and other soul artists. Sam & Dave's Stax recordings through 1. Stax founder Jim Stewart, who created the Memphis Sound by recording live in a single take. Stewart is credited for instrumental mixes that allowed for instrumental separation and the distinct contribution of each instrument to the overall feel of the song.

While the first two Stax singles failed to chart, the third, the Hayes/Porter composition (with similarities, including the title, to a gospel standard) "You Don't Know Like I Know" hit #7 R& B in 1. This was the first of 1. Top Twenty R& B chart hits over three years, and 1. R& B chart appearances during their career."Hold On, I'm Comin'" single and Hold On, I'm Comin' LP[edit]"Hold On, I'm Comin'" (R& B#1/Pop#2. March 1. 96. 6, was an enormous R& B hit for Sam & Dave, and also their first single to break into the Top 4.